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Cannes 2022 / Directors’ Fortnight

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41 articles available in total starting from 09/02/2022. Last article published on 27/06/2022.

Review: Paris Memories

Review: Paris Memories

CANNES 2022: Alice Winocour delves into the aftermath of a Paris terrorist attack and its hidden “diamonds”  

25/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: A Male

Review: A Male

CANNES 2022: Colombian filmmaker Fabián Hernández’s debut queers the gangland coming-of-age film  

24/05/2022 | Cannes 2022 | Directors' Fortnight

Lionel Baier • Director of Continental Drift (South)

Interview: Lionel Baier • Director of Continental Drift (South)

“Europe can only function if there is desire between peoples”

CANNES 2022: The Swiss filmmaker talks about the third part of his tetralogy on the construction of Europe  

24/05/2022 | Cannes 2022 | Directors' Fortnight

Dmytro Sukholytkyy-Sobchuk • Director of Pamfir

Interview: Dmytro Sukholytkyy-Sobchuk • Director of Pamfir

“Even if we’re talking about absolute good, it always has a side effect”

CANNES 2022: We chatted to the Ukrainian director about the origins of his feature debut, the intriguing dialect its characters use, and its possible roots in British thrillers  

24/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: The Super-8 Years

Review: The Super-8 Years

CANNES 2022: With the help of her son David Ernaux-Briot, author Annie Ernaux revisits the 1970s through a fascinating documentary of family archives, in her fabulous analytical style  

23/05/2022 | Cannes 2022 | Directors' Fortnight

Review: Under the Fig Trees

Review: Under the Fig Trees

CANNES 2022: Erige Sehiri’s new feature has hints of Éric Rohmer as it shows Tunisian women working and flirting on an orchard  

23/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: God’s Creatures

Review: God’s Creatures

CANNES 2022: Emily Watson and Paul Mescal deliver in Saela Davis and Anna Rose Holmer’s turbulent Oedipal tale of protection, assault and alliances  

23/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: The Five Devils

Review: The Five Devils

CANNES 2022: Witchcraft plays a bad trick on Léa Mysius with her overly ambitious film, which puzzles audiences despite its good qualities  

23/05/2022 | Cannes 2022 | Directors' Fortnight

Review: Falcon Lake

Review: Falcon Lake

CANNES 2022: Charlotte Le Bon’s directorial debut is certainly not the coming-of-age film one might expect to watch  

22/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Pamfir

Review: Pamfir

CANNES 2022: A Transcarpathian resident breaks the law to help his family in the feature debut by Ukrainian director Dmytro Sukholytkyy-Sobchuk  

22/05/2022 | Cannes 2022 | Directors’ Fortnight

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